The Double

    I loved this. Richard Ayoade directs an off-kilter Gilliam/Brazil-esque vision of a Dostoyevsky story in which an inadequate man encounters, covets, interacts with, worships, and is plagued by a much more successful clone of himself. Making films is such a lottery, isn’t it? This was a gem. 👍👍

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      Joker

      4 goes to finish this (interrupted by couch-snoozin), which is no way to give a film an objective go at being received well, is it? For starters, I’m not someone who generally gives a monkey’s about comicbook films. Then there was the hype… I guess I just found this REALLY unedifying. Neither rooted enough in…

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        The Favourite

        Starting as a fairly fun social climb tracking the inner machinations of Queen Anne’s rule this piece develops into a manipulative and then dark drama on trust, vulnerability, love and power.  It’s a film that’ll mainly be remembered for the disturbing/inconclusive ending, and providing a signature bit of avant-garde weirdness for the director to peg…

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          Jojo Rabbit

          What a great little film! Although it’s pretty easy to see why it sat on top of a screenplay blacklist for years (getting made only when Taika Waititi became one of the hottest properties in Hollywood).  A delightful piece about the importance of not following the crowd, told through a pretty harrowing and at the…

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            Spencer

            The main things I took from this were: being impressed at how Timothy Spall was able to keep his facial expression looking exactly like a dog’s anus for the whole film, thinking that Diana’s chambermaids ushering her along a corridor looked like volunteer stewards at a CAMRA beer festival, and empathising with Diana’s feeling of…

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